list of errors and annoyances to perfect your spec script. This is so you don't have to keep writing scene headings every time you. If only 1 person is heard As you can see, we don't hear the voice at the other end. Director C Prem Kumar's 96 starring Vijay Sethupathi and Trisha is a tribute to unconditional love. Tara and Xander sit on the only two lawn chairs. While Endora is distracted by the conversation, Sam puts her drink down next to Endora’s and then switches them. BEN'S HOUSE - DAY ADAM (Hangs Up) Ben takes the phone from Adam and is in a foul mood after the phone call. It's more to prepare the reader for the upcoming slug line bonanza. Jason (2003) Movie Script - Horror Film and Movie Scripts - Stop by HorrorNews. The film traces writer James Salter's lifelong love affair with France, unforgettably expressed in his 1967 masterpiece, A SPORT AND A PASTIME. Phone calls: One way to format a phone call is to insert INTERCUT PHONE CONVERSATION before the dialogue begins. He is cleaning sick off himself and feeding the toddler. Jeff Nathanson. as director, actor, teacher and dramaturg. The PS4’s latest blockbuster moviegame Detroit: Become Human is like something my Alexa would come up with, were I to ask her to write a story about androids with feelings. Instead of repeating the Scene Heading for each scene over and over, an INTERCUT is used. ca/services -~-~~-~~~-~~-~- Please watch: "Screenwriting 101: Final Draft - The. Please share it with your colleagues and friends. If anyone could answer this, it would be much appreciated. All the text is the same, but the spacing might be a bit different here and there. At one point, the script looks like it is going towards a huge cliche and cop out. Now go get’em! I’ve decided to extend my Nicholl Script Consultation discount for one more week! That’s $100 off 4 pages of. Set up both locations, intercut, and roll the dialogue. Hello [Contact's Name], this is [Your Name] from DCR Workforce, have I caught you in the middle of anything?. This adds a little more stylistic flair but is best used sparingly. This, for the benefit of future rock historians, is the transscript of a screenplay I wrote in the summer of 1977. Directed by Sandy Gotham Meehan, Edgar Howard. Screenplay Film Festival 2019 ran from Friday 30 August - Sunday 8 September. " This is the way to pass time in a screenplay: INT. (The title, by the way, shouldn't appear anywhere on the script itself. MIA Excuse me. MIA New York City Daily. A particular parenthetical, used when the dialog is coming from a phone, over a radio, or any electronic device that will modify the vocal. A Nightmare on Elm Street (1984) (Shooting Script) Movie Script - Horror Film and Movie Scripts - Stop by HorrorNews. What is a script? A sequence of sentences that a person typically speaks in routine conversation / communication. Shetland’s annual film festival is curated by celebrated film historian Linda Ruth Williams and film critic Mark Kermode, alongside our own Film Programme Manager Jenny Leask. MANIAC He wanted to get. For that reason, the screenplay shouldn't go into too much detail about what the camera is actually seeing. In this sense, the screenplay has become a feature-length pitch for a movie rather than the beat-for-beat blueprint it used to be. If you really want to get in the spirit of things, upload. The two cops grab Cutter and take him away from the phone. ) What You Need to Know About Screenwriting Format. INTERCUT: PHONE CONVERSATION DAN Yeahhhh, how are you feeling?. Now celebrating our big 10 th Annual Screenplay Competition, we are grateful to have had the opportunity to help guide dozens of talented writers to secure literary representation, option agreements and other writing assignments, providing the stepping stones and advancing the careers of many of our winning writers. the caller dialing the phone), then set up the second location (i. In Detroit, it’s. Instead, I want to cut back and forth between the two people speaking. Walk and talk - is a distinctive storytelling-technique used in filmmaking and television production in which a number of characters have a conversation en route. <---> In my fantasy, having finished Ferlinghetti, I hurry home to our next script, possibly Forster’s The Machine Stops, while you make your way back from wherever Zagreb is. The conversation that follows is a lot more revealing then the film's opening meeting (a meeting that only runs for a few cursory minutes), and at the end Robin pointedly looks at his watch as the Queen and Blair stroll out into the palace gardens - which suggests the Queen now respects Blair enough to spend quality time with him. You could just precede a telephone call with, “INTERCUT PHONE CONVERSATION” instead. O–voice over B. First, set up each of the sides of conversation as normal, with a scene heading and brief description. An INTERCUT is a technique whereby a writer can alternate between two or more locations without having to re-establish master sluglines. JULIE What? INTERCUT PHONE CONVERSATION ADAM AND JULIE ADAM Something's come up. A left justified “INTERCUT PHONE CONVERSATION:” or “INTERCUT BATTLE SCENES:” works fine. He almost steps on a dog sleeping on the floor, mouths "shit". MARIA'S KITCHEN", just have a slug that says INTERCUT or INTERCUT MARIA / SEAN. A screen with different scenes taking place in two or more sections; the scenes are usually interactive, as in the depiction of two sides of a phone conversation SUPER Abbreviation for super impose meaning the laying one image on top of another, usually words over a filmed scene. I urge you to purchase both the novel, published by Norton (ISBN 0-393-31480-4) and the screenplay from Miramax Books/Hyperion (ISBN 0-7868-8221-2) Enjoy. Shetland’s annual film festival is curated by celebrated film historian Linda Ruth Williams and film critic Mark Kermode, alongside our own Film Programme Manager Jenny Leask. Forgive me if I've bungled the quote, but I think I got the meaning correctly, if not its poetry. If only one party is seen and heard, treat it like other dialogue, with pauses or beats or actions to break up that character’s dialogue and indicate when the other party is talking. " Michael Hauge, Collins 2007, Writing Screenplays That Sell. Endora replies: " When the thermometer hit 98, my promise melted. In a screenplay, your antagonist could be either active or passive, depending on which aspect gives the most dramatic tension to your story, relative. I would have loved to. Writing a screenplay is very different from writing a novel, for example. com How to Write a Phone Conversation In a Screenplay Method #3: Intercut. You could just precede a telephone call with, “INTERCUT PHONE CONVERSATION” instead. Radio voices and phone calls can be filtered, though it's a convention that isn't used as much these days. 12 point Courier font is the proper typeface. http://aucoinink. INTERCUT: PHONE CONVERSATION DAN Yeahhhh, how are you feeling?. ACE Be careful with that phone, lieutenant. When a character recalls an important event from his past, that memory can be shown in a flashback. As a critic, in fact, it would be a violation of my responsibilities (and ethics) to do that. Finally, the Curly / Mrs. ANTHONY (O. Screenwriting) submitted 4 years ago by Synackz I have a series of scenes that go back and forth between two different locations with the characters communicating via telephone. In MS Word 2010, the steps are essentially the same. In this part we’ll look at the elements that form a screenplay, and how you can ensure the smoothest writing experience with Microsoft Word. beyond the phone conversation. Radio voices and phone calls can be filtered, though it’s a convention that isn’t used as much these days. Recap of my screenplay-novel TRUTH MARATHON: Paul, an English-as-a-Foreign Language instructor who is struggling to survive on low-paying contract work, is caught in the nexus of stress that afflicts all members of 21st Century society -- or at least, those members of it who do not create the nexus. submitting to a competition or festival. There’s no need to put the title, draft information, and date in the header. He hits the gas, the motor REVVING even higher. ) DAVID'S VOICE (over phone) Hello? LIPSKY. 21) Umberto D. The Moving Van has obstructed her view. Here is how to write phone conversation dialogue in a screenplay. So you can see that when the Action refers to Jessie dropping the phone, it's obvious that the director will have to cut to that location. And learn for example, when to capitalise a character’s name (the first time only), the difference between three dots (pause) and two dashes (interruption), how to intercut a phone conversation (use INTERCUT SCENES in the first line of description of the second person’s location), the difference between O. Many software programs perform the technical procedures behind screenplay formatting, but do you know the necessary techniques and currently accepted standards that will set your script apart from the heap?In Proper Formatting Technique, author Dave Trottier (Dr. XANDER It was very bad. How to Write an Intercut Phone Conversation Screenplay. Que vous soyez un scénariste professionnel ou amateur, en utilisant la police correcte, les marges, Les intitulés et des éléments d'action, il est plus facil. Into phone --DOUGLAS This isn't a conversation. I'm writing a screenplay at the moment and I'm not sure how the following scene should be formatted - basically it is two scenes going at the same time, repeatedly jumping back and forth between the two. Please read Understanding catalogue records for help interpreting this information and Using footage for more information about accessing this film. Locate a screenplay template. Or has it? MIA Brian. Thank you for your help. How to Write an Intercut Phone Conversation Screenplay. The screenplay to Natural Born Killers. I kinda liked the first act though. I need to understand how to (not why/why not to) write a SPLIT scene phone conversation, followed by two longer scenes that are INTERCUT. If you want to win over the reader, give us a great story in that opening scene first… and set up your script second. LOCATION #1/LOCATION #2 - DAY If it's necessary to CUT back and forth between simultaneous actions in two different locations in the same scene, then handle your scene heading like this. Jack Torrance (Jack Nicholson) strolls into the palatial lobby of the Overlook, inquiring to see General Manager Mr. Issuu Inc. In years past, 'Apocalypse Now' was previously distributed on VHS, Laserdisc, and DVD by Paramount Home Entertainment. But Jack is most surprised by what he. submitting to a competition or festival. Set up both locations, intercut, and roll the dialogue. CONVERSATION FIGURE. Say you have a scene in your screenplay where there are two sides of a conversation (such as a PHONE CALL), or two different scenes happening at the same time, and you don't want to write sluglines for every scene, you intercut. Once you have written your screenplay, make sure you keep the reader hooked by eliminating all the errors that would distract from an enjoyable experience. BEIJING ABDUCTION Written by Cheryl West Petty. JOE You’re filtered? INTERCUT WITH: EXT. ") and goes to an office where she get her "mission. Director C Prem Kumar's 96 starring Vijay Sethupathi and Trisha is a tribute to unconditional love. The INTERCUT is mainly used for phone conversations; its purpose is to show both speaking parties, but it essentially communicates to the reader (and the eventual director): "Show whomever you want to show when you want to show him or her. Telephone conversations can be tricky. After watching this episode,I looked up Akinetopsia on the internet and it turns out that it is not quite described correctly as it is in the episode. He is known for his work on Catch Me If You Can (2002), Indiana Jones and the Kingdom of the Crystal Skull (2008) and The Terminal (2004). A gloved hand hangs up the phone. BOND (into phone)Well, let's have a look at it. Overwhelmed by being able to feel, hear and see all around her as well as recalling all memories, even the taste of her mother’s milk, this is Lucy at her most vulnerable. The latter, however, probably never existed as a final cut. (listening; his expression. ) But it wasn't ordinary. Fisher is on a cycle machine. Then, describe the action of the phone ringing and whatever dialog you need. A video on the proper use of INTERCUT with screenplay formatting. (We never intercut during telephone conversations. Once you have decided to include a phone conversation in your script, it is time to start planning the details. How to Format a Screenplay Part 1 A guide to movie screenplay format based on industry standards When you have completed the rough draft of your screenplay, it is essential you register it to establish proof that you are the actual author in the event James Cameron rips you off. With brilliant performance backed by a strong script, 96 is a winner, says our review. Hello [Contact’s Name], this is [Your Name] from DCR Workforce, have I caught you in the middle of anything?. Telephone conversations can be tricky. Split Screen A screen with different scenes taking place in two or more sections; the scenes are usually interactive, as in the depiction of two sides of a phone conversation. I've got a three scenes where the heroine talks to her friend on the phone. Who is this? BRIAN Oh, come on, it hasn't been that long. All the text is the same, but the spacing might be a bit different here and there. An intercut is an edit where two or more actions in distinct locations are edited together into one scene. He clicks the hookswitch up and down trying to get a dial tone. ” Instead of your second “INT. I'm writing a screenplay at the moment and I'm not sure how the following scene should be formatted - basically it is two scenes going at the same time, repeatedly jumping back and forth between the two. The Parent Trap Script Parent Trap Script by Ryan. INTERCUT: THE TELEPHONE CONVERSATION. INTERCUT PHONE CONVERSATION SAMANTHA It was so bizarre. There are various ways to do it, so I go over the most common ones. Phone calls: One way to format a phone call is to insert INTERCUT PHONE CONVERSATION before the dialogue begins. mean, that or "Shawghank Red or "Network" or "American Beauty" Yeg , We h ave INTERCUT PHONE That "Chinatown". CUT TO: INT. Pitch Your Script Ideas Monday, 2 November 2015. TORONTO RESIDENTIAL STREET - DAY 1 / Snowy suburbs of Toronto. LOCATION - DAY/NIGHT. CLIFF The leather belts are not as we expected, and the silver-buckled. The recent work is a series of four locational pieces by prominent Bay Area writers including Lawrence Ferlinghetti. INTERCUT: CHARACTER #1 (into phone) Then continue the conversation, intercutting comfortably between the two characters. as he breathes a sign of relief. CONVERSATION FIGURE. Rather, they die along with Sasha in the Mexican standoff. Phone Conversation – Intercut. Hello [Contact's Name], this is [Your Name] from DCR Workforce, have I caught you in the middle of anything?. INTERCUT - SITTING ROOM. I’m curious about your format for writing a one-sided phone conversation. As noted in this post, September is Scene-Writing Month here at Go Into The Story. DARLENE’S LIVING ROOM - AT THAT MOMENT Darlene shifts to get a better view of Gigi’s house and the arrival of Amanda. This article will teach you how to write an intercut in a screenplay or teleplay. Shooting Script. Washington, DC. sticking to the script) I have come to surrender the North. An intercut is an edit where two or more actions in distinct locations are edited together into one scene. IKE'S HOTEL ROOM/INT. JOE'S HOUSE - BEDROOM - NIGHT. BEIJING ABDUCTION Written by Cheryl West Petty. Willoughby's cell phone rings. as director, actor, teacher and dramaturg. The film was directed by Martin Campbell and adapted for the screen by Neal Purvis, Robert Wade, and Paul Haggis. True Romance / Screenplay by Quentin Tarantino / When you are tired of relationships, try a romance. " You may also note if there is going to be a montage on screen. Generally, films try to follow a script as close as possible but there are those moments when an actor will adlib. I’m out with some friends, come meet. JUDE, still in a dressing gown with a huge cold-sore, is holding the new baby. EINHORN (into phone) Sergeant Aguado, it's Lt. A script should still have scene headings, character names over the dialogue, and more or less resemble what a screenplay has always looked like. Behind the scenes. MOTORIST The funny thing is, there's a whole group of people here having some sort of party. But we really emphasize the return to the phone booth by adding the Hwy. JENNY Like spirit possession. Ron handles the over the phone conversations, many of which are hilariously written around prominent members of the Klan not realising he’s not a white man, and Flip handles the in-person. There are three possibilities to handle this: The audience neither sees nor hears the other party. The next statements are intercut with the wrench approaching the Motorist. " You may also note if there is going to be a montage on screen. DramaQueen The new software for writers, focussed on the art of storytelling. If you want to show both sides of the conversation, write: INTERCUT TELEPHONE CONVERSATION Briefly describe where the other caller is located, and then write the dialogue as usual. Jeff Nathanson was born on October 12, 1965 in Los Angeles, California, USA. Based on the novel by Rick Moody. Reluctant as it is, it too carries commitment and Walker senses it. The key to remember is that a single page of a screenplay is roughly equal to 60 seconds of screentime when using the margins above. O–voice over B. Conventions of screenplays 2. Rose pushes a cart down the isle and dials her cell phone. Then carry on the conversation as you normally would if both characters were talking face to face. How to Format a Screenplay Part 1 A guide to movie screenplay format based on industry standards When you have completed the rough draft of your screenplay, it is essential you register it to establish proof that you are the actual author in the event James Cameron rips you off. Characters in the movie constantly make public proclamations; proclamations that they then go and undo over private conversations. Get some men over to the old ironworks factory on Victoria Road. Screenplay/Script. Scene Descriptions. CONVERSATION FIGURE. If you do use a parenthetical for a phone conversation, just do it once at the beginning, rather than repeating it for every piece of dialogue in the conversation. Sheridan: (to phone) About the Halliwells, about who they really are. Thank you for your help. NCIS Script. Plus such a small thing will not impact your script as long as whatever you do doesn't make the reading experience bad. The third feature film of South Korean director Na Hong-jin, The Wailing (Goksung) is his first foray into the horror genre. Martin Olson wrote the script while on hiatus from "Penn & Teller". She pulls out a cellular phone and dials. http://aucoinink. Proper format is the first thing agents and other prospective readers look for in a script. “G et rid of phone call scenes,” has become a bit of a refrain on Scribe Meets World. It's Ace Ventura. An enterprise tech salesman by trade, his hair is gelled, dress shirt ironed, watch gleaming. For the properly formatted scenes, I didn't need to use the parenthetical "(into phone)" because the action lines make it clear who she's talking to. Screenplay School: How to Format a Telephone Scene in Three Different Ways September 29, 2018 September 29, 2018 Ian Su This is an introduction to a new series of posts I'm doing on Screenwriting. In fact, Jarmusch’s film is closer to Last Year at Marienbad (1961) than any other. Twin Peaks Pilot - The Screenplay Typed (well, scanned actually) by Mike Dunn About the formatting: I've tried to retain as close as possible the formatting of the original script, but it's not an exact copy. Here is a phone call script example that we created for selling recruiting services to a hiring manager. the bar, finger in one ear, phone glued to the other. INTERCUT: Telephone Conversations In Screenplays Telephone Conversations Dialog on the telephone is a bit of a challenge because at least one of the participating characters is not physically present. The reason to take heart from all this fat flensing is that Robert Towne was already one of the finest writers in the business, yet he had a long way to go from Draft #1 to the script they shot. , 1st Floor. of the conversation has. Once you have decided to include a phone conversation in your script, it is time to start planning the details. Location and time follow: INT. The format of a screenplay makes it as easy as possible to tell background from action and conversation. an 8-10 minute screenplay about a guy who recieves a call for help from his ex-girlfriend claiming to have car trouble. The only one missing is their mother. CLOSE ON If you really want to emphasize a detail, a clue, then this is the way to do it. 12 point Courier font is the proper typeface. as director, actor, teacher and dramaturg. 2) State [CONVERSATION WILL BE INTERCUT] 3) then create two slug lines for each location - so you can continue to describe each caller's actions and reactions. You can use the slugline "INTERCUT — [LOCATION 1]/[LOCATION 2]," or you can establish each location with its o. A young girl holds out the telephone. If you write all your scenes with sluglines beginning with INT. If only one party is seen and heard, treat it like other dialogue, with pauses or beats or actions to break up that character's dialogue and indicate when the other party is talking. McCall is on the tail end of her phone conversation with grabs the phone out of. (We never intercut during telephone conversations. Then write a slug line for the second person's location and show that person talking on the phone. Locate a screenplay template. This, for the benefit of future rock historians, is the transscript of a screenplay I wrote in the summer of 1977. sticking to the script) I have come to surrender the North. The phone falls to the floor, then the Motorist follows suit. JOE You’re filtered? INTERCUT WITH: EXT. He clicks the hookswitch up and down trying to get a dial tone. you'll have an edge over writers when. At the end of their conversation, a whistle sounds. JOE'S BEDROOM - NIGHT Joe dials a number. Need writing services?. To write in slugline after slugline takes the reader out of the flow. You can have a split screen and show both people, which is the easiest way. A particular parenthetical, used when the dialog is coming from a phone, over a radio, or any electronic device that will modify the vocal. Here is how to write phone conversation dialogue in a screenplay. Screenplay Film Festival 2019 ran from Friday 30 August - Sunday 8 September. Phone conversations writing screenplays Screenwriting. SHARON (ON PHONE) How does Amanda look? INT. If you really want to get in the spirit of things, upload. Format himself) will not only teach you the rules, he’ll also show you when and how to break them. MOTORIST The funny thing is, there's a whole group of people here having some sort of party. Just me at my computer. So, if a phone call is absolutely necessary to the plot of the story, or it reveals something about the characters, or whatever the purpose is - I suggest using a regular conversation and then INTERCUT, like so: INT. Once you have decided to include a phone conversation in your script, it is time to start planning the details. Examples: Ordering a pizza, making a doctor's appointment. The format of a screenplay makes it as easy as possible to tell background from action and conversation. Anchored by MC Brendhan Lovegrove, episodes follow a night's performances; onstage routines are intercut with action from the green room and front of house. There's no section, for example, on how to format a FLASHBACK phone conversation INTERCUT with a DREAM SEQUENCE fight scene on top of a moving train. By: Stroke Comeback Center. Los Angeles, California 90025 310-441-5151 [email protected] store. A script written without being commissioned on the speculative hope that it will be sold. You probably wouldn’t start writing a radio story before doing any interviews. These should read INT/EXT. This is a must-have reference book for any screenwriter. If you're talking about split screen between two locations, then all you have to do in the screenplay is: write the words: INTERCUT BETWEEN ; AND <CHARACTER NAME> and then continue with the conversation or action that takes p. At the end of their conversation, a whistle sounds. SPFX Abbreviation for Special Effects. Behold, the magic that is "INTERCUT. ) 'Courge we have "Chinatown" I Robert Towne' g magterpLece Lg arguably the Great American Screenplay. Once both locations have been established, you can use "INTERCUT" to designate cross cutting without having to re-establish each scene heading each time a character speaks. Then INTERCUT - PHONE CONVERSATION was utilized to instruct the reader that they were in charge of envisioning who was being seen on camera at any given time. The advice and rantings of a Hollywood script reader tired of seeing screenwriters make the same mistakes, saving the world from bad writing one screenplay at a time. (MORE) ) (CONT'D) ANTHONY (0. Rather, they die along with Sasha in the Mexican standoff. This gives the reader the sense that the scene is moving rapidly back and forth between locations. I was thinking of cutting it so that for the first few lines (which are rather short), we only see Person #1 and just hear a voiceover for Person #2 (to avoid rapid cuts). One day, Vaali gets the news that the son has died. The two cops grab Cutter and take him away from the phone. By the late 1970’s and early 1980’s, the years of exploitation were close to running their course. Script: As the conversation continues and Tabitha mentions the swimming pool, Darrin has a fit and reminds Endora that she promised no hocus-pocus in front of the children. THE PARENT TRAP Screenplay by Nancy Meyers and Charles Shyer. The title of a script is centered on the page with your name directly beneath it. INTERCUT BETWEEN can be used as a slugline for a phone conversation after the location of each party is established with prior sluglines. It was tailored for the historic punk rock band the Sex Pistols, and was to be directed by Russ Meyer and produced by the impresario Malcolm McLaren. Once you have written your screenplay, make sure you keep the reader hooked by eliminating all the errors that would distract from an enjoyable experience. The most common example of this is a phone conversation. They are David Trottier’s Screenwriter’s Bible, and Screenplay: Writing the Picture, by Robin U. This adds a little more stylistic flair but is best used sparingly. Both are a little awkward; cute but in a dorky way. April 8, 1996. Analyze This (1999) by Peter Tolan and Harold Ramis and Kenneth Lonergan. ANTHONY (O. peeling of an orange. The film was directed by Martin Campbell and adapted for the screen by Neal Purvis, Robert Wade, and Paul Haggis. But what I want to know is intercut is acceptable in a spec script? Could someone give me an example of the standard way to write a phone conversation. At the end of their conversation, a whistle sounds. You probably wouldn’t start writing a radio story before doing any interviews. This article will teach you how to write an intercut in a screenplay or teleplay. / CLARENCE WORLEY. INTERCUT - SITTING ROOM. I've seen it done in so many different ways now, that I have no idea if there is a more uniform way of doing it, or a preferred way. In the shooting script, people in the apartment building discover it's Harry's birthday and invade his apartment with a birthday cake, then start complaining about the plumbing in the building and elect him to be their representative to go talk to the owner of the building about fixing it. (We never intercut during telephone conversations. ” Currently, Microsoft offers one premade screenplay template for MS Word 2013/2016. " Notate the intercut on its own line to the left margin of the page and then specify what is being inserted. I would have loved to. The INTERCUT is mainly used for phone conversations; its purpose is to show both speaking parties, but it essentially communicates to the reader (and the eventual director): "Show whomever you want to show when you want to show him or her. If you want to show these characters in the location they're in, you can literally go back and forth between the scenes of the two characters on the phone or you can INTERCUT. Let's say two characters are in the middle of a conversation and get into an elevator, or walk out a door. As noted in this post, September is Scene-Writing Month here at Go Into The Story. Does this book cover EVERYTHING when it comes to screenplay format? No, it does not attempt to answer everything under the sun regarding how to format a screenplay. Andrew steps through the interior, spots Savings and Loan manager Mibbler speaking heatedly into a telephone. intercut phone conversation – andy and amy AMY, a tall senior with dark hair and deep tan skin, leans up against her sports coupe, parked on the side of a poorly lit residential road. When a script alternates from one scene to another scene taking place at the same time, this is called an INTERCUT. “Telephone” Sandra (Aino Lohikoski) is the local operator, constantly complaining that the schoolboys have damaged the overhead wires, but also sneakily eavesdropping on everybody’s conversations. XANDER It was very bad. WALKER You're a very small minority to take on the Government -- and the Empire. Screenplay School: How to Format a Telephone Scene in Three Different Ways September 29, 2018 September 29, 2018 Ian Su This is an introduction to a new series of posts I'm doing on Screenwriting.